Craft Business Direct Marketing Computers & Us Custom Cabinetry
DRIVING FORCES AND PARTNERS
Tomorrows Heirlooms was born in 1982 as the vehicle for me to grow in several areas important to me. First, it allowed me to exercise my entrepreneurial gene more than was possible within the large corporate culture of P&G. Next, it was a great way to develop my woodworking craft which started for me as a young boy working in my dad's millwork business under the watchful eye of Pennsylvania Dutch cabinetmakers. There is no greater challenge or reward than having other people value your work by paying for it. It was also a way to learn every functional aspect of business from marketing (demand creation), customer development and creative design, production and quality control, purchasing, and finance. Finally, it was a great excuse to add new equipment to my shop by designing each subsequent project around increased capability.
The key enabling factors that allowed Tomorrows
Heirlooms to operate successfully for 10 years were most certainly Blake and
Joyce. I started working with Blake when he was 15 as I was going through
my divorce and was
living in his dad's house with my shop equipment in his basement. Blake
was very interested in woodworking and uninterested in the collegiate route to a
professional career. When Joyce and I were married, Blake came to work for
me and was sort of my "apprentice". At first, I would have to
work late into the evenings to prepare work for Blake to finish during the next
day. With time, he became fully independent and was able to build an entire
kitchen from a computer generated cut list. He is the most dedicated,
loyal and professional person I have ever worked with (including at P&G) and
he became more like a son than an employee. Even though the business was
shut down in 1992, Blake continues in the trade and still uses my shop for
projects of his own.
Joyce was a terrific partner through the entire
endeavor. Our first shop was
in the basement of our Hyde Park house and work would often spill over into the
garage. Dust was a constant upstairs invader. We would often forgo
furniture purchases in favor of the next piece of shop equipment. While traveling
on P&G business, Joyce met the head of Sales for a National distributor and
set up a
meeting for me to show him our Jewelry Boxes. As a result of her
initiative, we went from local trade shows to National distribution. Joyce
is the one who found our current house by searching for properties with
outbuildings suitable for the shop. Only setting up the laundry room took
precedence over building the new shop. I'm glad I was able to build two
kitchens and various pieces of furniture for Joyce to repay some of her
tolerance and partnership.
The
kids also got into the act. As soon as they were able to spend time safely
in the shop, I used to teach them to drive nails into cardboard and to mimic the
sounds of the various
power tools. Our first project together was a kid sized workbench
made from an extra shelf from a bookcase project. At first, their help was
minimal but important. Later, Scott in particular became a frequent helper
in installations of new kitchens especially when it came to putting on the
hardware.
FROM "CRAFT" BUSINESS TO NATIONAL DISTRIBUTION
The business evolved in an interesting way
without benefit of any great strategy or business plan. We started with
mass production of a couple of models of cherry Jewelry Boxes that I had
designed and made as
Christmas presents. The logic was simple: they
were small, easy to take to shows, and simple enough for Blake to make
with minimal experience. At first, we used a printed flyer as our
"advertising" and
would sell boxes directly to stores wherever we could. Our first sale was
to a specialty retailer in Vail. The flyer and our own selling was
subsequently replaced by a catalogue page and the sales force from our National
distributor.
The artwork and printing cost of the catalogue along with the
100% markup of the distributor and high labor cost for the boxes encouraged me
to try direct marketing of a simpler product with an innovative twist.
Ceramic rod knife sharpeners were new on the market and pretty popular and
expensive. I combined the rods with a sleek design cherry knife block into
an integrated system called "the best knife sharpener on the
block". I had read a lot of books on direct marketing so I proceeded
to hire an advertising agency to help me develop my first direct mail
vehicle which was a classified add in Bon Appetit. To everyone who ordered
a knife block, I would enclose the catalogue page for a Jewelry Box with the
shipment. We needed a credit card account and lots of packaging and trips
to UPS. This venture was moderately successful, but the high
cost of ad placement made it very difficult to get a satisfactory
return.
PR AND THE VALUE OF RELATIONSHIPS
This is where I learned about the power of free media via
PR. The food editor for USA Today was a personal friend. She agreed
to feature my block in the paper and to send press kits to food editors across
the country
who look for things like this as "fillers". Over many months I received
many times the orders as the expensive ad with a new flurry with each placement
in regional newspapers. I have been a fan of free media and the value of
personal relationships in business ever since.
The business was started at the dawn of the PC age. In
the first year I used to lug home from P&G the earliest of the
"portable" computers...a
Compaq with built in monochrome display and 51/4 floppy drive (no hard
drive). I wrote a program using visicalc to do all the accounting and
mailing label creation. Our first purchased computer was a IBM PS2 with a
20meg hard drive....I thought I had died and gone to heaven. I used
Lotus123 to write a program for generating cut lists for custom cabinetry.
This capability enabled me to do essentially all the design work in a single
weekend that would keep Blake busy for 6 weeks. Cabinet design software
(evolved to a higher level than my early version) is now common place in the
industry.
A terrific collateral benefit flowed from my dependence on,
and appreciation for computers. Scott showed great interest and
demonstrated exceptional talent by writing his first program in basic language
when he was just 8. He was encouraged and mentored by my brother-in-law
Tom, who provides IT support for Champion Paper. With the addition of an
800 baud modem to our PC, Scott never looked back. He
started a computer bulletin board called "The Imperial Chapter" where
he and his friends could play games on line. Later, he started his own
business selling a hi-tech modem along with assorted peripherals. Today,
Scott is a program manager at Microsoft in Seattle, and I continue to push the
boundaries of my own computer capabilities and look for new ways to employ the
technology both at home and at P&G. Who knows if any of this would
have happened without the need to generate cut lists for Tomorrows Heirlooms.
Even though the mail order business was progressing, I decided
to shift emphasis to custom designed cabinetry. The business was turning
into a production operation with my role becoming more like a manager than an
innovator. I wanted to work directly with customers and design one of a
kind pieces that stretched my capability as a craftsman while increasing the
value of each sale. I started with a classified ad in the local
magazine. Our first few jobs were simple bookcases or entertainment
centers and mantles. Our first kitchen was my own in Hyde Park. Then
my boss at P&G asked me to do all the cabinetry for a large new house he was
building. This got me connected with a quality builder who asked me to
participate in Homerama with him the next year. The following year, we did
the cabinetry for another Homerama house built by my tennis partner. From
then on, we always had several months of backlog orders just through word of
mouth. Many of these jobs were for P&G people.
I was pretty successful at evolving the work to a higher level of custom design with each new customer. This enabled increased pricing and profitability as well as an excuse to add new equipment along the way. I took pictures of many of these jobs which I used to help new customers with design ideas. I have some of the pictures in a photopoint album accessible by this link WEB ALBUM OF CUSTOM CABINETRY EXAMPLES
END OF THE ERA
The success of the business actually led to my decision to cease operations in 1992. We reached a point where I was either going to have to hire additional help for Blake; or stop altogether. Since gearing up would need to be supported by even greater demand, I would have had to commit even more of my free time to customer development and design and I didn't have any left. At the same time, my role at P&G was becoming even more demanding and from an "earning a living" standpoint, was the clear choice. My only real concern was for Blake. Luckily, he was able to continue working with the contractor we had often used to help with kitchen installations. Blake still works with him remodeling basements and kitchens and as I write this, Blake is out back in my shop building cabinets for one of his relatives.
All is well that ends well. I must admit that I had no idea that people had so much free time as I discovered after the last job was completed. I now have a shop that makes Norm's "New Yankee Workshop" look like amateur land and I can switch on the lights and build pieces for my own family whenever I choose. And who knows, what special cowboy designs I might dream up when Joyce and I move to Colorado.